Capriccio
Sheila E. Murphy, United States
1.
I recommend someone's notebook when her eyes are averted and the sun long gone
has piqued her chastity to come in from impending rain in the form of droplets tapping on the roughly textured roof versus the cliched tin on which ringlets of precipitation cross boundaries and stimulate anxiety of the inhabitants.
2.
Eavesdropping on the page as though with ear pasted to a door imploring sound to lead through whatever depth of wood (walnut?) may separate presence from presence, one of which is active; the other, passive. Speaking of voice, I would appreciate your vocalizing in your sleep, thinking cheek-to-cheek the way the romantic music goes.
3.
U.S. 31/33 North means something related to release even if you are not political
(I am only derivatively political: good at corp- pol- but not so much the holding office kind.
I thought for twelve minutes of running for justice of the peace then decided not.
4.
Sanctimonious I heard the tall man called
who let's face it got everything he got due to height
some research declares is correlated to achievement
if you can call it that. Call it what you will call it shingles
on the roof with or without rain.
5.
Sitting just quietly sitting not meditating not looking not reading not looking out the window
not noticing the wind is it terrible to be so individually contained.
6.
If only I can make it autumn again unsafe loved or unloved autumn clouds
recalling my weekly mango in Ann Arbor
the relentless solitude loved hated in-between emotionless stance
minus the sub always motion always in motion except
when in the language lab reciting rehearsing reciting
Middle English with perfect pitch easily
scratched itch the sound of my voice
not singing speaking speaking the center of my mind
from the center of my mind
the only holiness bereft of feeling.
7.
Seated among the staves where swiftness lacks sound
it must be backhand midnight the pools unused the tidy wind in the vast trees
v-shaped disturbances disrobe fear
is this a wake a dispirited quake among minions
taking giving back mercies shown to the door
where batched catchphrases are spoken minus fluency.
8/
I would rather think about the geese at Chapparal Park in Scottsdale
where we drive to for relief from sitting still. Of course I am inclined
to talk beyond what's welcome, and the listener takes notice
of the percentage of stories already legends, in the most polite sense,
that inflate themselves into new discoveries I feel inclined to utter
for some unexplainable reason except it's in my DNA.
My parents numbered their jokes then laughed out loud
before the internet abbreviations took us by the throat.
9.
My pinch of snark parks next to the affection within me that overtakes the typographical error of unkindness. I wince
to convince myself that the rhombus neutralizes its pair of likenesses
as we find ourselves sipping elderberry juice leaning toward each other
mentioning midnight without rigor that might leave redundancy in the dust.
Sheila E. Murphy. A Pushcart-nominated poet, recent appearances include Gargoyle, Poetry Bay Poetose, Volta, and others. Most recent book publications are I Want to Be Your Radio (Unlikely Books, 2025), Escritoire (Lavender Ink, 2025), and Permission to Relax (BlazeVOX Books, 2023). She won the Gertrude Stein Poetry Award for Letters to Unfinished J. (Green Integer Press, 2003) and the Hay(ha)ku Book Prize for Reporting Live From You Know Where (Meritage Press, 2018). She lives in Phoenix, Arizona. Her Wikipedia page can be found at: https://en.wikipedia.org/wiki/Sheila_Murphy_(poet)