Film Scene
by Purbasha Roy, India
An old film runs on television. Half
drowsy I knock on the screen. A door
opens. And I enter. A task of adding colors
is given to me by someone who couldn't
complete it in her dream. The joy of coloring
behaves like an arc elongated back to childhood
simplicity: crude green to foliage, eclipsed
black to chimney smoke stains, classy
brown to the mowing street cow. This is
so much like imparting definitions to sleep
through dreams. I hold a palette and in the
gratitude for being granted permission I
begin to color each thing I touch. Everything
measuring up to something with an imbibed
value. Tables, chairs, walls, vases, menu
cards. The scene is inside a restaurant at
the first minute of pre-dawn. Outside the
stars slouched for beauty. A mice appears
from an unseeked corner. I offer it an errorless
white shade. Gracing colors to everything I
stumbled on the cuneate of air, emptiness,
and silence. Suddenly, a thought came to me :
Does my presence commit a violence and static
the process of them running to each other.
My thinking blooms in their amalgamation
a river of anonymous words. The moment
I lift my brush the colors slip into a void
from where nothing emerges, how much
I try. Both the film and my drowsiness
ended and so did my trials carried by
convection currents of a thing whose
color is as sad as the sight of a door
closing. I open my eyes. A pleasant day
sending an invitation. Sun yearning to be
taken with serious beauty, soft music
trembling in the air like an answer.
Purbasha Roy is a writer from Jharkhand, India. Her work has appeared or is forthcoming in Denver Quarterly Review, SAND, Iron Horse Literary Review, and The Margins as of late. She attained 2nd Position in 8th Singapore Poetry Contest. Best of the Net Nominee. Find her website at https://linktr.ee/Purbashawrites.