Film Scene

by Purbasha Roy, India

An old film runs on television. Half 

drowsy I knock on the screen. A door 

opens. And I enter. A task of adding colors 

is given to me by someone who couldn't

complete it in her dream. The joy of coloring 

behaves like an arc elongated back to childhood   

simplicity: crude green to foliage, eclipsed

black to chimney smoke stains, classy

brown to the mowing street cow. This is 

so much like imparting definitions to sleep 

through dreams. I hold a palette and in the 

gratitude for being granted permission I

begin to color each thing I touch. Everything 

measuring up to something with an imbibed 

value. Tables, chairs, walls, vases, menu 

cards. The scene is inside a restaurant at 

the first minute of pre-dawn. Outside the 

stars slouched for beauty. A mice appears 

from an unseeked corner. I offer it an errorless 

white shade. Gracing colors to everything I 

stumbled on the cuneate of air, emptiness,

and silence. Suddenly, a thought came to me : 

Does my presence commit a violence and static 

the process of them running to each other. 

My thinking blooms in their amalgamation 

a river of anonymous words. The moment 

I lift my brush the colors slip into a void 

from where nothing emerges, how much 

I try. Both the film and my drowsiness 

ended and so did my trials carried by 

convection currents of a thing whose 

color is as sad as the sight of a door 

closing. I open my eyes. A pleasant day 

sending an invitation. Sun yearning to be 

taken with serious beauty, soft music 

trembling in the air like an answer.

Purbasha Roy is a writer from Jharkhand, India. Her work has appeared or is forthcoming in Denver Quarterly Review, SAND, Iron Horse Literary Review, and The Margins as of late. She attained 2nd Position in 8th Singapore Poetry Contest. Best of the Net Nominee. Find her website at https://linktr.ee/Purbashawrites.