Airplane Litany Wherein The Father Is Absent
by Emily Tong, United States
Row 13C. A woman asks to switch,
aisle-aisle, to sit with her son. I listen
for the sound of angels. The man beside
me presses his warm thigh to mine
& doesn’t smile. My mother calls me
dirty. My sister is alive, willing, infinitely
kind. I am no one’s daughter, briefly,
in the pink of my mouth, lined thread pulled
into the shadow of a body. In another
recycled hour, I learn about hate.
Everyone I know & everyone I don’t is dreaming
wild 20th-century dreams, elbows snapped
& pinned to Newark’s silver oak. Yes, bring back
the guillotine, that uproarious thing.
There are some stories that compare women’s
bodies to flowers—what it must be like to unfold
in men’s open garden fingers. Lazarus without
God, Lazarus without Mary, Lazarus
without. In the waking yolk-day I am reaching
out my hand like they do in the movies, wondering
what these protagonists are doing with
empty air. Between pointer & thumb is the
boiler’s sharp hissing, the roar of dandelions.
Briefly I wonder what it means to be filthy
& alive. If this is all it is. Earthworm, molerat,
loose weed. The seatbelt light flickers. Lazarus,
half-dead morning Lazarus, outside
the lavatory door, impatient & knocking upRow 13C. A woman asks to switch,
aisle-aisle, to sit with her son. I listen
for the sound of angels. The man beside
me presses his warm thigh to mine
& doesn’t smile. My mother calls me
dirty. My sister is alive, willing, infinitely
kind. I am no one’s daughter, briefly,
in the pink of my mouth, lined thread pulled
into the shadow of a body. In another
recycled hour, I learn about hate.
Everyone I know & everyone I don’t is dreaming
wild 20th-century dreams, elbows snapped
& pinned to Newark’s silver oak. Yes, bring back
the guillotine, that uproarious thing.
There are some stories that compare women’s
bodies to flowers—what it must be like to unfold
in men’s open garden fingers. Lazarus without
God, Lazarus without Mary, Lazarus
without. In the waking yolk-day I am reaching
out my hand like they do in the movies, wondering
what these protagonists are doing with
empty air. Between pointer & thumb is the
boiler’s sharp hissing, the roar of dandelions.
Briefly I wonder what it means to be filthy
& alive. If this is all it is. Earthworm, molerat,
loose weed. The seatbelt light flickers. Lazarus,
half-dead morning Lazarus, outside
the lavatory door, impatient & knocking up
a murder. The Mother overlaps with mine
with Mine’s, listening to Jay Chou blearily. Behind her
she is told to quiet. Midnight vapor forms
the secondhand face of my sister. Once,
unbidden: I need her to be more
than this. My sister, haloed in a dream, hanging
a star from the great eggshell sky, praying
& asking don’t you want to be in love, love, love—
Previously published in Blue Marble Review
Emily Tong is a BIPOC and queer Asian-American poet based in New Jersey. A graduate of the Iowa Young Writers' Workshop, her work is forthcoming in Augur Magazine, Palette Poetry, Fugue, Eunoia Review, Thimble, and BRAWL, among others.